Great Expectations by Charles Dickens

'Psychologically, the latter part of Great Expectations is about the best thing Dickens ever did.'

George Orwell

A terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes.

A summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella.

The sudden generosity of a mysterious benefactor.

These form a series of events that change the orphaned Pip's life forever, and he eagerly abandons his humble origins to begin a new life as a gentleman.

Dickens's haunting late novel depicts Pip's education and development through adversity as he discovers thetrue nature of his 'great expectations'!

About the Author

Charles Dickens was born on 7 February 1812. He enjoyed his first commercial success with The Pickwick Papers in 1836, swiftly followed by the serialization of Oliver Twist a year later. By the publication of The Old Curiosity Shop in 1841, Dickens was internationally famous. Great Expectations was first published in serial form in All the Year Round magazine between 1860 and 1861. His novels, many now adapted for TV and film, continue to entertain readers all over the world.

In December the BBC will show a major new adaptation, forming part of their celebration of Dickens and the bicentenary of his birth in 2012.

Alice's Adventures in Wonderland and Through the Looking Glass by Lewis Carroll

'So many out-of-the-way things had happened lately, that Alice had begun to think that very few things indeed were really impossible'

In preparation for the school play at the end of term this week's book is a Drama and English Department tie-in...

'I had sent my heroine straight down a rabbit-hole without the least idea what was to happen afterwards,' wrote Dodgson, describing how Alice was conjured up one 'golden afternoon' in 1862 to entertain his child-friend Alice Liddell.

In the magical world of Wonderland and the back-to-front Looking-Glass kingdom, order is turned upside-down: a baby turns into a pig; time is abandoned at a tea-party; and a chaotic game of chess makes a 7- year-old a Queen.

Bored on a hot afternoon, Alice follows a White Rabbit down a rabbit-hole - without giving a thought about how she might get out. And so she tumbles into Wonderland: where animals answer back, a baby turns into a pig, time stands still at a disorderly tea party, croquet is played with hedgehogs and flamingos, and the Mock Turtle and Gryphon dance the Lobster Quadrille.

In a land in which nothing is as it seems and cakes, potions and mushrooms can make her shrink to ten inches or grow to the size of a house, will Alice be able to find her way home again?

Here's an excerpt to tingle your tastebuds...

Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do; once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, ‘and what is the use of a book,’ thought Alice, ‘without pictures of conversation?’

So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her.
 
There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, ‘Oh dear! Oh dear! I shall be too late!’ (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat-pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge.
 
In another moment Alice went down after it, never once considering how in the world she was to get out again.
 
The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well.
 
Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her, and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupbards and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled ‘orange marmalade’, but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody, so managed to put it into one of the cupboards as she fell past it.
 
‘Well!’ thought Alice to herself, ‘after such a fall as this, I shall think nothing of tumbling downstairs! How brave they’ll all think me at home! Why, I wouldn’t say anything about it, even if I fell off the top of the house!’ (Which was very likely true.)
 
Down, down, down. Would the fall never come to an end! ‘I wonder how many miles I’ve fallen by this time?’ she said aloud. ‘I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think -’ (for, you see, Alice had learnt several things of this sort in her lessons in the school-room, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to it, still it was good practice to say it over) ‘ – yes, that’s about the right distance – but then I wonder what Latitude or Longitude I’ve got to?’ (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.)
 
Presently she began again. ‘I wonder if I shall fall right through the earth! How funny it’ll seem to come out among the people that walk with their heads downwards! The Antipathies, I think – (she was rather glad there was no one listening, this time, as it didn’t sound at all the right word) ‘– but I shall have to ask them what the name of the country is, you know. Please, Ma’am, is this New Zealand or Australia? (and she tried to curtsey as she spoke – fancy curtseying as you’re falling through the air! Do you think you could manage it!) And what an ignorant little girl she’ll think me for asking! No, it’ll never do to ask: perhaps I shall see it written up somewhere.’
 
Down, down, down. There was nothing else to do, so Alice soon began talking again. ‘Dinah’ll miss me very much to-night, I should think!’ (Dinah was the cat.) ‘I hope they’ll remember her saucer of milk at tea-time. Dinah, my dear! I wish you were down here with me! There are no mice in the air, I’m afraid, but you might catch a bat, and that’s very like a mouse, you know. But do cats eat bats, I wonder?’ And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, ‘Do cats eat bats? Do cats eat bats?’ and sometimes, ‘Do bats eat cats?’ for, you see, as she couldn’t answer either question, it didn’t much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, ‘Now Dinah, tell me the truth: did you ever eat a bat?’ when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over.

About the Author

Lewis Carroll was the pen-name of the Reverend Charles Lutwidge Dodgson. Born in 1832, he was educated at Rugby School and Christ Church, Oxford, where he was appointed lecturer in mathematics in 1855, and where he spent the rest of his life. In 1861 he took deacon's orders, but shyness and a constitutional stammer prevented him from seeking the priesthood. He never married, but was very fond of children and spent much time with them. His most famous works, Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1872), were originally written for Alice Liddell, the daughter of the dean of his college. Charles Dodgson died in 1898.

Here's the trailer to Tim Burton's recent film version...

Noughts And Crosses by Malorie Blackman

'Against a background of prejudice and distrust, intensely highlighted by violent terrorist activity by Noughts, a romance builds between Sephy and Callum – a romance that is to lead both of them into terrible danger…'

Callum is a nought – a second-class citizen in a world run by the ruling Crosses…

Sephy is a Cross, daughter of one of the most powerful men in the country…

In their world, noughts and Crosses simply don’t mix. And as hostility turns to violence, can Callum and Sephy possibly find a way to be together? They are determined to try.
And then the bomb explodes…
A gripping, stimulating and totally absorbing novel set in a world where black and white are right and wrong.

Malorie Blackman is a fine, award-winning author whose work is always inclined to provoke debate amongst her readers, and indeed her peers. With Noughts and Crosses she surpasses expectation not only with her subject matter, but with the execution of a stimulating and provocative plot line that often leaves the reader chilled to the bone.

Sephy and Callum have been best friends since childhood, and now they are older and they realise they want more from each other. But the harsh realities of lives lived in a segregated society are beginning to take their toll: Callum is a nought--a second-class citizen in a world dominated by the Crosses--and Sephy is a Cross, and the daughter of one of the most powerful men in the country. The barriers they would have to cross to be together at first seem little more than minor obstacles to the two idealistic teenagers, but soon those barriers threaten not only their friendship but their lives.
 
Noughts and Crosses is written with the passion of an author who has a personal message about the perception of the past, present and future, and Blackman has used the clever device of turning preconceived ideas of racial prejudice upside down to make sure that her point is well and truly made. Deeply disturbing and totally absorbing this novel is intriguing from the outset, with a shocking climax that packs an unforgettable punch. Susan Harrison

Malorie Blackman: Developing negatives - Click here to read the novelist talk to Alison Flood about turning racism upside down in her Noughts and Crosses novels...

About the Author

Malorie Blackman was born in 1962. She qualified in Computer Science and followed a successful career in computing, before becoming a writer at the age of 28. Her first published book was Not So Stupid! (1990), a book of short stories.

Since then she has written many books and scripts, and her popularity has steadily grown. Her scripts for television include several episodes of Byker Grove, Whizziwig and Pig-Heart Boy, and she has also written original dramas for CITV and BBC Education. Her stage play, The Amazing Birthday, was performed in 2002.

She writes for all ages of children. Her picture books include I Want a Cuddle! (2001) and Jessica Strange (2002) and she has written many reader books for early and more confident readers. Her novels include: Hacker (1992); the story of Vicky, who saves her father from being wrongly convicted of stealing from the bank after hacking into the bank’s computer to solve the crime herself; Thief! (1995), about a child who is transported into the future after being accused of a crime she did not commit; and Pig-Heart Boy (1997), the diary of 13-year-old Cameron, who needs a heart transplant. The latter book and its subsequent adaptation as a series for television won several awards, including a BAFTA for best children’s drama in 2000.

Malorie Blackman's most well-known books for young adults are: Noughts & Crosses (2001); Knife Edge (2004); and Checkmate (2005) – which form the Noughts & Crosses Trilogy, the tale of two teenagers, Callum and Sephy.  In 2004, she also wrote a novel entirely in verse, Cloud Busting (2004), which won a Nestlé Smarties Book Prize (Silver Award) the same year.

Malorie Blackman lives in Kent. In 2007 she collected stories and poems for the book Unheard Voices, commemorating the bicentenary anniversary of the abolition of the slave trade. Her latest books are The Stuff of Nightmares (2007) and Double Cross (2008). She was awarded an OBE in 2008.

She has recently contributed to Free? (2009), a book of stories celebrating Human Rights.

Find out more about the Author by visiting her website here...

Elidor by Alan Garner

'This is a classic.' Reading Matters

"It is not easy to cross from your world into this... but there are places where they touch."

On a gloomy day in Manchester, Roland, Helen, Nicholas and David are lured into a ruined church, where the fabric of time and place is weak enough to draw them into the twilight world of Elidor.

It is a place almost destroyed by the fear and darkness, and the children are charged with guarding its Treasures while a way is sought to save the dying land.
 
But soon the safety of this world is pit in danger as the evil forces of Elidor find a path through to reclaim the Treasures for themselves...

The power of it lies in the awful build-up of suspense.

Manchester in 1965 is a place of bombsites and slum clearance programmes. Mooching around with a football one cold afternoon, the four Watson children roam inside a Victorian red-brick church which is about to be demolished. They can't find their ball, which was carelessly kicked over the wall, and one by one the children disappear as they go to look for it. When only Roland is left, he finds that the heavy iron-handled door which the mysterious lame fiddler urges him to open, is a portal into the troubled land of Elidor.

Elidor is a wild and empty kingdom on the point of being devoured by the forces of evil. Of four castles in the landscape, three have been lost to evil and the fourth is failing. The lame fiddler of Manchester is the lame King Malebron of Elidor and he charges Roland to help him to regain the three treasures which are held in the Mound of Vandwy. Roland is able to do this by visualizing a door in the mound and walking in. Inside he is reunited with his brothers and sister who had, each in turn, tried to help Malebron but failed. They locate the three treasures: a cauldron, a sword and a stone and bear them outside to the waiting Malebron.

Malebron is in desperate straits and asks the children to take all four treasures of Elidor, including his own spear, back to their world to hide them from the powers of evil. In this way Elidor cannot totally succumb.
Back in Manchester, the exquisite treasures of Elidor take the form of nothing more valuable than a broken teacup, a stone and a piece of iron railing but the children dutifully bury them in their back garden and try to think no more about them.

Unfortunately, Roland's big mistake was in visualizing his own front door when he sought an opening into the Mound of Vandwy. The treasures act as a beacon for the forces of evil from Elidor and they soon come come round peeping through the letter box.

One of the most memorable and powerful pieces of writing I have ever come across occurs in this book. The buried treasures of Elidor generate some kind of powerful energy which is capable of being picked up in Elidor, but it also interferes with all the electrical goods in the house and surrounding area, and even the car. In the silence of the winter evening, after the television and radio pack up, the family listen with growing disquiet as first the electric razor upstairs starts itself, then the electric mixer and the washing machine in the kitchen. Nothing can be done to stop them since they are not plugged in.

The children must return the treasures to Elidor where they belong, but they must also help Malebron defeat the forces of evil by fulfilling a prophecy.

About the Author

Alan Garner was born and still lives in Cheshire, an area which has had a profound effect on his writing and provided the seed of many ideas worked out in his books.

His fourth book, 'The Owl Service' brought Alan Garner to everyone's attention.

It won two important literary prizes - The Guardian Award and the Carnegie Medal - and was made into a serial by Granada Television.

It has established itself as a classic and Alan Garner as a writer of great distinction.

Despite an OBE for services to children's literature, and the fact that books like The Weirdstone of Brisingamen and Elidor are the kind of absorbing childhood fantasy that reverberates into adulthood, to view Garner as a children's writer is reductive. He puts it best when he says: "I do not write for children, but for myself. Adolescents read my books. By adolescence, I mean an arbitrary age somewhere between 10 and 18." It's an in-between group, and Garner's books are likewise poised between passion and detachment, intensity and alienation, blunt modernity and ancient myth.

His style is stripped-down, yet shares dialect and linguistic relish with much older works. "The language of my childhood and of my native culture is, technically, North-west Mercian Middle English," he has said - the language of the Gawain poet. The layers of local history and a precise sense of place are paramount in his work.

He has been writing for over 40 years; each book is a lengthy project as he pours so much research into it (learning Welsh for The Owl Service, for example). Eventually, "I feel a jolt within me and I hear quite without any understanding; I hear words, which I put down". Not all his work is fantasy - the Stone Quartet follows four generations of Garner's family from the mid-19th century to the second world war. Strandloper, his first novel for adults, was a difficult, almost experimental, evocation of Aboriginal culture. In his 2003 adult book, Thursbitch, which grew out of his fascination with a mysterious tombstone on a Pennine track, he is back on home ground and all the better for it.

Want to know why Alan Garner writes? Click here to find out...

The Boy in Striped Pyjamas by John Boyne

'...a small wonder of a book.' The Guardian

What happens when innocence is confronted by monstrous evil?

Lines may divide us, but hope will unite us . . .

Nine-year-old Bruno knows nothing of the Final Solution and the Holocaust. He is oblivious to the appalling cruelties being inflicted on the people of Europe by his country. All he knows is that he has been moved from a comfortable home in Berlin to a house in a desolate area where there is nothing to do and no one to play with. Until he meets Shmuel, a boy who lives a strange parallel existence on the other side of the adjoining wire fence and who, like the other people there, wears a uniform of striped pyjamas.

Bruno's friendship with Shmuel will take him from innocence to revelation. And in exploring what he is unwittingly a part of, he will inevitably become subsumed by the terrible process.

The Boy in Striped Pyjamas will no doubt acquire many readers as a result of the subsequent film of the novel, but viewers of the latter would do themselves a favour by going back to the spare and powerfully affecting original book.

Bruno is nine years old, and the Nazis’ horrific Final Solution to the ‘Jewish Problem’ means nothing to him. He's completely unaware of the barbarity of Germany under Hitler, and is more concerned by his move from his well-appointed house in Berlin to a far less salubrious area where he finds himself with nothing to do.

Then he meets a boy called Shmuel who lives a very different life from him - a life on the opposite side of a wire fence. And Shmuel is the eponymous boy in the striped pyjamas, as are all the other people on the other side of the fence. The friendship between the two boys begins to grow, but for Bruno it is a journey from blissful ignorance to a painful knowledge. And he will find that this learning process carries, for him, a daunting price.

A legion of books have attempted to evoke the horrors of the Second World War, but in this concise and perfectly honed novel, all of the effects that John Boyne creates are allowed to make a maximum impact in a relatively understated fashion (given the enormity of the situation here). The Boy in Striped Pyjamas is also that rare thing: a novel which can affect both children and adults equally; a worthy successor, in fact, to such masterpieces as To Kill a Mockingbird and The Catcher in the Rye -- both, of course, books, dealing (as does this one) with the loss of innocence. - Barry Forshaw

Educating Bruno - The slow revelation of detail in John Boyne's Holocaust story for children, The Boy in the Striped Pyjamas, impresses Kathryn Hughes...

About the Author

John Boyne was born in Ireland in 1971.

The winner of two Irish Book Awards, he is the author of seven novels, including the international bestseller The Boy in the Striped Pyjamas, which was made into a Miramax feature film and has sold more than five million copies worldwide.

His novels are published in over forty languages. He lives in Dublin.

To find out more about the author click here to go to his website...



How can they understand? A new film about the Holocaust, aimed at children, represents the Disneyfication of the Final Solution. Can the horrors of the Nazis ever make great cinema? By Linda Grant

The Owl Service by Alan Garner

Winner of both the Guardian Award and the Carnegie Medal.

"A rare imaginative feat and the taste that it leaves is haunting." The Observer

"One of the first and best novels for and about teenagers; it remains one of the most original and gripping ghost stories. Timeless!" The Times

"Something was stirring in the valley, something powerful and old. Something which had no place in the rational modern world..."

Winner of both the Guardian Award and the Carnegie Medal, this is an all-time classic, combining mystery, adventure, history and a complex set of human relationships.

It all begins with the scratching in the ceiling. From the moment Alison discovers the dinner service in the attic, with its curious pattern of floral owls, a chain of events is set in progress that is to effect everybody's lives.

Relentlessly, Alison, her step-brother Roger and Welsh boy Gwyn are drawn into the replay of a tragic Welsh legend - a modern drama played out against a background of ancient jealousies. As the tension mounts, it becomes apparent that only by accepting and facing the situation can it be resolved.
In The Owl Service, Alan Garner takes this old, old story from the Welsh legends which make up the Mabinogion and blends it into the present. It's a fascinating book. There aren't any facile tricks of plot - no time travel, no spirits from the past inhabiting the pages of today.

The Owl Service is about a summer in a Welsh valley not thousands of years ago, but in the twentieth century. Alison and Gwyn find an old dinner service in the attic of the house where Gwyn's mother is housekeeper and which Alison has inherited from her father.

As Alison begins feverishly to trace and make paper owls from the flowered pattern on the plates, Gwyn and Roger join her in reliving the roles of that past drama. And yet, they are not possessed, they remain entirely themselves, with their own qualities, opinions, talents and problems. In the old time there were gods and goddesses, curses, heirs and fiefdoms. In the present time there are step-families and the class struggle. So different and yet somehow, so very much the same. The Bookbag

About the Author

Alan Garner was born and still lives in Cheshire, an area which has had a profound effect on his writing and provided the seed of many ideas worked out in his books.

His fourth book, 'The Owl Service' brought Alan Garner to everyone's attention.

It won two important literary prizes - The Guardian Award and the Carnegie Medal - and was made into a serial by Granada Television.

It has established itself as a classic and Alan Garner as a writer of great distinction.

Despite an OBE for services to children's literature, and the fact that books like The Weirdstone of Brisingamen and Elidor are the kind of absorbing childhood fantasy that reverberates into adulthood, to view Garner as a children's writer is reductive. He puts it best when he says: "I do not write for children, but for myself. Adolescents read my books. By adolescence, I mean an arbitrary age somewhere between 10 and 18." It's an in-between group, and Garner's books are likewise poised between passion and detachment, intensity and alienation, blunt modernity and ancient myth.

His style is stripped-down, yet shares dialect and linguistic relish with much older works. "The language of my childhood and of my native culture is, technically, North-west Mercian Middle English," he has said - the language of the Gawain poet. The layers of local history and a precise sense of place are paramount in his work.

He has been writing for over 40 years; each book is a lengthy project as he pours so much research into it (learning Welsh for The Owl Service, for example). Eventually, "I feel a jolt within me and I hear quite without any understanding; I hear words, which I put down". Not all his work is fantasy - the Stone Quartet follows four generations of Garner's family from the mid-19th century to the second world war. Strandloper, his first novel for adults, was a difficult, almost experimental, evocation of Aboriginal culture. In his 2003 adult book, Thursbitch, which grew out of his fascination with a mysterious tombstone on a Pennine track, he is back on home ground and all the better for it.
Want to know why Alan Garner writes? Click here to find out...

Northern Lights by Philip Pullman

"Without this child, we shall all die."

Lyra Belacqua and her animal daemon live half-wild and carefree among scholars of Jordan College, Oxford. The destiny that awaits her will take her to the frozen lands of the Arctic, where witch-clans reign and ice-bearsfight. Her extraordinary journey will have immeasurable consequences far beyond her own world...

Lyra's life is already sufficiently interesting for a novel before she eavesdrops on a presentation by her uncle Lord Asriel to his colleagues in the Jordan College faculty, Oxford.

The college, famed for its leadership in experimental theology, is funding Lord Asriel's research into the heretical possibility of the existence of worlds unlike Lyra's own, where everyone is born with a familiar animal companion, magic of a kind works, the Tartars are threatening to overrun Muscovy, and the Pope is a puritanical Protestant.

Set in an England familiar and strange, Philip Pullman's lively, taut story is a must-read and re-read for fantasy lovers of all ages. The world-building is outstanding, from the subtle hints of the 1898 Tokay to odd quirks of language to the panserbjorne, while determined, clever Lyra is a strong role-model for any aspiring adventurer.

Watch the trailer to the film version of the novel...




To celebrate the launch of The Guardian children's books website, they invited Philip Pullman's young fans to ask him questions...click here to see what he had to say...

About the Author

Philip Pullman was born in Norwich on 19th October 1946. The early part of his life was spent travelling all over the world, because his father and then his stepfather were both in the Royal Air Force. He spent part of his childhood in Australia, where he first met the wonders of comics, and grew to love Superman and Batman in particular. From the age of 11, he lived in North Wales, having moved back to Britain. It was a time when children were allowed to roam anywhere, to play in the streets, to wander over the hills, and he took full advantage of it. His English teacher, Miss Enid Jones, was a big influence on him, and he still sends her copies of his books.

After he left school he went to Exeter College, Oxford, to read English. He did a number of odd jobs for a while, and then moved back to Oxford to become a teacher. He taught at various middle schools for twelve years, and then moved to Westminster College, Oxford, to be a part-time lecturer. He taught courses on the Victorian novel and on the folk tale, and also a course examining how words and pictures fit together. He eventually left teaching in order to write full-time.

His first published novel was for adults, but he began writing for children when he was a teacher. Some of his novels were based on plays he wrote for his school pupils, such as The Ruby In The Smoke. He is best known for the award winning His Dark Materials series, consisting of Northern Lights, The Subtle Knife and The Amber Spyglass.

To find out more about the author and the other books in this trilogy click here...

Treasure Island by Robert Louis Stevenson

Squire Trelawney, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17-, and go back to the time when my father kept the "Admiral Benbow" inn, and the brown old seaman, with the sabre cut, first took up his lodging under our roof.

The story grew out of a map that led to imaginary treasure, devised during a holiday in Scotland by Stevenson and his nephew.

The tale is told by an adventurous boy, Jim Hawkins, who gets hold of a treasure map and sets off with an adult crew in search of the buried treasure.

Among the crew, however, is the treacherous Long John Silver who is determined to keep the treasure for himself. Stevenson's first full-length work of fiction brought him immediate fame and continues to captivate readers of all ages.

Journey to the River Sea by Eva Ibbotson

'A plot too exciting to put down. Sheer pleasure.' The Times

'A splendidly suspenseful, richly characterised drama.' Children's Book of the Week, Sunday Times

Journey to the River Sea, Eva Ibbotson's tale of an orphaned London schoolgirl and her formidable governess's journey to South America will touch the hearts of generations of children. Thanks to a thrilling story-line, a cast of richly drawn characters, and a voyage through the emotions of childhood, it is destined to join the A-list of children's classics, perennial stories undiminished by the passage of time and the changing world in which children grow up.

Set at the turn of the 20th century, this is an adventure story full of magic and discovery--without a witch or a wizard in sight! It's about real people, good and bad, and a journey to another world. Maia, accompanied by the straight-backed Miss Minton, leaves the familiar comforts of her boarding school to start a new life with distant relatives who live 1000 miles from the mouth of the Amazon. Both soon discover an exotic world bursting with new experiences beyond their imagination. More importantly, they learn one of life's hardest lessons--to conquer their fears and embrace the unknown. And along the way they learn about tolerance, acceptance and trust.
 
Ms Ibbotson has put together a fine assembly of characters that all children will warm to. From gentle, trusting Maia, intelligent and mature beyond her years to her stern but caring governess with her hat-pin shaped like a Viking spear, her trunk full of books and a few secrets hidden up her sleeves--there are the good, the bad, the peculiar and the downright wicked. While Maia's new family are not at all what she was expecting, she finds friendship in the most unlikely places, with the most unusual people. Clovis, a child actor roaming the world with a travelling theatre troupe, yearns for cold weather and stodgy puddings, while Finn, a half-English, half-Indian boy, would do anything to avoid his aristocratic English destiny.
 
An intricate, cleverly paced plot, with plenty of clues for children along the way, makes this a real page-turner--exciting enough to appeal to boys and girls alike. Journey to the River Sea is an inspiring read. Ms Ibbotson's beliefs that children need challenges, that they need to think big and that they must be encouraged to believe in themselves, shine through in this enchanting book. Carey Green

One Thousand-and-One Arabian Nights by Geraldine McCaughrean

A completely original version of the Arabian Nights Stories by award-winning author Geraldine McCaughrean.

In order to delay her inevitable execution, Queen Shaharazad tells her murdering husband, King Shahryar, a wonderfully exciting story every night. The King is used to a new wife every day, only to put her to death the following day, but finds himself so intrigued in the magical stories Shaharazad tells, he can't bring himself to kill her.

Night after night she tells her wonderful stories until the King starts to relaise that he won't be able to live without them...

About the Author

It's 30 years now since I first got published, and 50 since I found out how writing let me step outside my little, everyday world and go wherever I chose - way back in Time, to far distant shores, towards my own, home-made happy ending. Not that all my books are an easy ride. I write adventure, first and foremost, because that's what I enjoyed reading as a child. But since I have published over 150 books now, there are all manner of books in among that number - gorgeously illustrated picture books, easy readers, prize winners, teenage books and five adult novels.

The White Darkness won the Prinz Award in the USA, which, for as Englishwoman, was the most amazing, startling thrill.

Then there was Peter Pan in Scarlet - official sequel to J M Barrie's Peter Pan, written on behalf of Great Ormond Street Hopsital for Sick Children. I won the chance to write that in a worldwide competition, and because Peter Pan is loved everywhere, my book sold worldwide too. I can't say I expected that when, as a child, I dreamed of being like my older brother and getting a book published one day. These days I have a husband (good at continuity and spelling) and a daughter who is an excellent editor. But she's at the Royal Academy of Dramatic Art now, studying to become an actor. So, naturally, I have turned my hand to writing plays. (So many actors, so few plays!)

My Mum told me, "Never boil your cabbages twice, dear," which was her way of saying, "Don't repeat yourself." So I have tried never to write the same book twice. You'll find all my novels quite different from one another. The only way you can find out which ones you like and which you don't is to read them, I'm afraid.

I have also done lots of retellings of myth, legend, folk and fairy tales, and adapted indigestible classics such as El Cid, the Epic of Gilgamesh, The Odyssey, Moby Dick, Shakespeare and the Pilgrim's Progress.
Something for everyone, you see, my dear young, not-so-young, eccentric, middle-of-the-road, poetical, sad, cheerful, timid or reckless reader.

All they have in common is that they all contain words. If you are allergic to words, you'd best not open the covers.

Geraldine McCaughrean has written 160 books and plays for both adults and children, including Peter Pan in Scarlet, one of the most talked about and successful children's titles of 2006. Geraldine McCaughrean has won the Carnegie Medal, the Whitbread Children's Book Award (three times), the Guardian Children's Fiction Prize, the Smarties Bronze Award (four times), the Blue Peter Book of the Year award and the Blue Peter Special Book to Keep Forever award.

Around the World in 80 Days by Jules Verne

One night in the reform club, Phileas Fogg bets his companions that he can travel across the globe in just eighty days. Breaking the well-established routine of his daily life, he immediately sets off for Dover with his astonished valet Passepartout.

Passing through exotic lands and dangerous locations, they seize whatever transportation is at hand - whether train or elephant - overcoming set-backs and always racing against the clock.

The Adventures of Huckleberry Finn by Mark Twain

Mark Twain's tale of a boy's picaresque journey down the Mississippi on a raft conveyed the voice and experience of the American frontier as no other work had done before.

When Huck escapes from his drunken father and the 'sivilizing' Widow Douglas with the runaway slave Jim, he embarks on a series of adventures that draw him to feuding families and the trickery of the unscrupulous 'Duke' and 'Dauphin'. Beneath the exploits, however, are more serious undercurrents - of slavery, adult control - which threaten his deep and enduring friendship with Jim.

A seminal work of American literature that still commands deep praise and elicits controversy, The Adventures of Huckleberry Finn is essential to the understanding of the American soul.

The Land of Green Ginger by Noel Langley

This much loved comic adventure story has magical characters and a gripping plot for all the family to enjoy.

When Prince Abu Ali, son of Aladdin, is born his destiny has already been foretold: he is the one that has been chosen to break the spell of the mysterious land of Green Ginger.

His quest brings him in contact with flying carpets, button-nosed tortoises, magic phoenix birds – and two very villainous princes.

Contains original Edward Ardizzone illustrations throughout.

Little Women by Louisa May Alcott

'I read this wonderful story of four 19th century American sisters over and over again, particularly identifying with Jo, the tomboy sister who is desperate to be a writer.' Jacqueline Wilson

Little Women has remained enduringly popular since its publication in 1868, becoming the inspiration for a whole genre of family stories. Set in a small New England community, it tells of the March family: Marmee looks after daughters in the absence of her husband, who is serving as an army chaplain in the Civil War, and Meg, Jo,Beth, and Amy experience domestic trials and triumphs as they attempt to supplement the family's small income.


In the second part of the novel (sometimes known as Good Wives) the girls grow up and fall in love. The novel is highly autobiographical, and in Jo's character Alcott portrays a strong-minded and independent woman, determined to control her own destiny.

Times are hard for the March sisters - but these girls don't dwell on such matters and always look on the bright side. Whether it's performing a play or getting on with day-to-day chores, the sisters can find the fun in any situation - but what fate holds in store for the girls, only time will tell.

About The Author

Louisa May Alcott was born in Philadelphia in 1832. Educated mainly by H. D. Thoreau and her father, Miss Alcott served as a hospital nurse during the Civil War. Her first book, Flower Fables, appeared in 1854, and her next work, Hospital Sketches (1863), consisted of her letters home from the Union Hospital during the war. She first gained a wide reputation with Little Women (1868-69), and her best subsequent work was done in the same genre. Alcott died in 1888.

The 1994 film version starring Winona Ryder, a very young Kirsten Dunst and 'Dark Knight' Christian Bale is also a well adapted, if slightly syrupy, way in...