Showing posts with label modern classic. Show all posts
Showing posts with label modern classic. Show all posts

Wednesday, 20 April 2011

Our Man in Havana by Graham Greene


'No serious writer of this century has more thoroughly invaded and shaped the public imagination than Graham Greene' - Time

'Our Man In Havana' is Greene's satirical tale of espionage and intrigue.

Jim Wormold is selling vacuum cleaners in Cuba before being enlisted by a fellow Brit named Hawthorne to spy on Cuba for England.

Wormold is out of his league in the world of cloak and dagger missions, sensitive information gathering, and covert operations. He is a middle-aged father of a 17 year-old beauty named Milly, his wife ran off with an American some years before.

Running a small vacuum cleaner business in Havana with an assistant named Lopez, the British Secret Service has completely misjudged who he is. Unwilling to disappoint them or to give up the $150 a month salary plus $150 a month expenses, he fabricates coded reports of military construction sites (drawn by tracing vacuum cleaner parts), expenses accounts, and lists of fictitious operatives and informants.

Things get really complicated when the home office in London is impressed with his efforts and sends him a secretary named Beatrice and a radio operator named Rudy....

About the Author

Perhaps the ultimate moralist thriller-writer, Greene had a facility for combining literary observation with populist plot, and himself divided his books into serious fiction (The Heart of the Matter, The Quiet American) and "entertainments" (Brighton Rock, Our Man in Havana).

Evelyn Waugh singled out for praise the new coolly cinematic quality of his style, but he is now most known for a sort of atheistic Catholicism (George Orwell sneers that Greene thinks "there is something rather distingué in being damned; Hell is a sort of high-class nightclub, entry to which is reserved for Catholics only").

However, when the Vatican condemned The Power and the Glory and demanded revisions, Greene merely referred the Pope to his publisher.

Graham Greene was a prolific writer and many of his books have been made into films. To find out more about him, click on the link below:

http://greeneland.tripod.com/index.htm

Here's the opening scene from the 1959 British comedy noir starring Alec Guinness.

Sunday, 6 March 2011

Brideshead Revisited by Evelyn Waugh

Want to know where that myth of Oxbridge being all about dreaming spires, youthful indiscretion and aristocratic decadence was confirmed? Well, it all started here...

"It is a long time since I read Brideshead Revisited. I found myself hooked from page one. It felt like coming upon some delicious, unexpected selection of treats left over in a glutton's larder." A.N. Wilson

"Waugh's most deeply felt novel . . . Brideshead Revisited tells an absorbing story in imaginative terms . . . Mr. Waugh is very definitely an artist, with something like a genius for precision and clarity not surpassed by any novelist writing in English in his time." The New York Times

'I have been here before,' I said; I had been there before; first with Sebastian more than twenty years ago on a cloudless day in June, when the ditches were creamy with meadowsweet and the air heavy with all the scents of summer ; it was a day of peculiar splendour, and though I had been there so often, in so many moods, it was to that first visit that my heart returned on this, my latest... 

The most nostalgic and reflective of Evelyn Waugh's novels, Brideshead Revisited looks back to the golden age before the Second World War.

It tells the story of Charles Ryder's infatuation with the Marchmains and the rapidly-disappearing world of privilege they inhabit.

Enchanted first by Sebastian at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognize only his spiritual and social distance from them.

"A many-faceted book . . . Beautifully [written] by one of the most exhilarating stylists of our time." Newsweek

About the Author
Evelyn Waugh was born in Hampstead in 1903, second son of Arthur Waugh, publisher and literary critic, and brother of Alec Waugh, the popular novelist. He was educated at Lancing and Hertford College, Oxford, where he read Modern History.
In 1928 he published his first work, a life of Dante Gabriel Rossetti, and his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), Black Mischief (1932), A Handful of Dust (1934) and Scoop (1938). During these years he travelled extensively in most parts of Europe, the Near East, Africa and tropical America, and published a number of travel books, including Labels (1930), Remote People, (1931), Ninety-Two Days (1934) and Waugh in Abyssinia (1936).

In 1939 he was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, serving in the Middle East and in Yugoslavia. In 1942 he published Put Out More Flags and then in 1945 Brideshead Revisited. When the Going was Good and The Loved One preceded Men at Arms, which came out in 1952, the first volume of 'The Sword of Honour' trilogy, and won the James Tait Black Memorial Prize. The other volumes, Officers and Gentlemen and Unconditional Surrender, followed in 1955 and 1961.

In 1964 he published his last book, A Little Learning, the first volume of an autobiography. Evelyn Waugh was received into the Roman Catholic Church in 1930 and his biography of the Elizabethan Jesuit martyr, Edmund Campion, was awarded the Hawthornden Prize in 1936. In 1959 he published the official Life of Ronald Knox. For many years he lived with his wife and six children in the West Country. He died in 1966.

Tuesday, 8 February 2011

Wide Sargasso Sea by Jean Rhys

'One of the finest British writers of this century'
 A. Alvarez


WIDE SARGASSO SEA is set in 1830s Jamaica.

Born into an oppressive, colonialist society, white Creole heiress Antoinette Cosway meets a young Englishman who is drawn to her innocent beauty and sensuality.

After their marriage, however, disturbing rumours begin to circulate which poison her husband against her. Caught between his demands and her own precarious sense of belonging, Antoinette is inexorably driven towards madness.

This classic study of betrayal is Jean Rhys' brief, beautiful masterpiece.

The novel works as a prequel to Charlotte Brontë's famous 1847 novel. It is the story of the first Mrs. Rochester, Antoinette (Bertha) Mason, a white Creole heiress, from the time of her youth in the Caribbean to her unhappy marriage and relocation to England. Caught in an oppressive patriarchal society in which she belongs neither to the white Europeans nor the black Jamaicans, Rhys's novel re-imagines Brontë's devilish madwoman in the attic.

As with many postcolonial works, the novel deals largely with the themes of racial inequality and the harshness of displacement and assimilation.

About the Author

Jean Rhys was born in Dominica in 1890, the daughter of a Welsh doctor and a white Creole mother. She came to England when she was sixteen and then drifted into a series of jobs - chorus girl, mannequin, artist's model - after her father died.

She began to write when the first of her three marriages broke up. She was in her thirties by then, and living in Paris, where she was encouraged by Ford Madox Ford, who also discovered D. H. Lawrence. Ford wrote an enthusiastic introduction to her first book in 1927, a collection of stories called The Left Bank. This was followed by Quartet (1928), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Good Morning, Midnight (1939).

None of these books was particularly successful, perhaps because they were decades ahead of their time in theme and tone, dealing as they did with women as underdogs, exploited and exploiting their sexuality. With the outbreak of war and subsequent failure of Good Morning, Midnight, the books went out of print and Jean Rhys literally dropped completely from sight. It was generally thought that she was dead. Nearly twenty years later she was rediscovered, largely due to the enthusiasm of the writer Francis Wyndham. She was living reclusively in Cornwall, and during those years had accumulated the stories collected in Tigers are Better-Looking.

In 1966 she made a sensational reappearance with Wide Sargasso Sea, which won the Royal Society of Literature Award and the W. H. Smith Award in 1966, her only comment on the latter being that 'It has come too late'. Her final collection of stories, Sleep It Off Lady, appeared in 1976 and Smile Please, her unfinished autobiography, was published posthumously in 1979. She was made a Fellow of the Royal Society of Literature in 1966 and a CBE in 1978. Jean Rhys died in 1979.

This is the trailer to the recent BBC4 production of the novel

The Great Gatsby by F. Scott Fitzgerald

Jay Gatsby is the man who has everything. But one thing will always be out of his reach ... Everybody who is anybody is seen at his glittering parties. Day and night his Long Island mansion buzzes with bright young things drinking, dancing and debating his mysterious character. For Gatsby - young, handsome, fabulously rich - always seems alone in the crowd, watching and waiting, though no one knows what for. Beneath the shimmering surface of his life he is hiding a secret: a silent longing that can never be fulfilled. And soon this destructive obsession will force his world to unravel.

In 1922, F Scott Fitzgerald announced his decision to write "something new - something extraordinary and beautiful and simple, intricately patterned". That extraordinary, beautiful, intricately patterned and, above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known.

A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed and the promise of new beginnings. Gatsby's rise to glory and eventual fall from grace be comes a kind of cautionary tale about the American Dream.

It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties and waits for her to appear. When s he does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbour Nick Carraway acting as chorus throughout. Spare, elegantly plotted and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem.
Perry Freeman, Amazon.com

About the Author

F. Scott Fitzgerald was born in 1896 in St Paul, Minnesota, and went to Princeton University which he left in 1917 to join the army. Fitzgerald was said to have epitomised the Jazz Age, an age inhabited by a generation he defined as 'grown up to find all Gods dead, all wars fought, all faiths in man shaken'.

In 1920 he married Zelda Sayre. Their destructive relationship and her subsequent mental breakdowns became a major influence on his writing. Among his publications were five novels, This Side of Paradise, The Great Gatsby, The Beautiful and Damned, Tender is the Night and The Love of the Last Tycoon (his last and unfinished work): six volumes of short stories and The Crack-Up, a selection of autobiographical pieces.

Fitzgerald died suddenly in 1940. After his death The New York Times said of him that 'He was better than he knew, for in fact and in the literary sense he invented a "generation" ... he might have interpreted them and even guided them, as in their middle years they saw a different and nobler freedom threatened with destruction.'

Here's the opening of the 1974 film version starring Robert Redford and Mia Farrow with a screenplay by Francis Ford Coppola to give you a taste for the 1920s...

Monday, 19 July 2010

The Day of the Triffids by John Wyndham

'When a day that you happen to know is Wednesday starts off by sounding like Sunday, there is something seriously wrong somewhere...'

When Bill Masen wakes up blindfolded in hospital there is a bitter irony in his situation.

Carefully removing his bandages, he realizes that he is the only person who can see: everyone else, doctors and patients alike, have been blinded by a meteor shower. Now, with civilization in chaos, the triffids - huge, venomous, large-rooted plants able to 'walk', feeding on human flesh - can have their day.

The Day of the Triffids, published in 1951, expresses many of the political concerns of its time: the Cold War, the fear of biological experimentation and the man-made apocalypse.

However, with its terrifyingly believable insights into the genetic modification of plants, the book is more relevant today than ever before.

About the Author

John Wyndham was born in 1903. After a wide experience of the English preparatory school he was at Bedales from 1918 to 1921. Careers which he tried included farming, law, commercial art, and advertising, and he first started writing short stories, intended for sale, in 1925. During the war he was in the Civil Service and afterwards in the Army. In 1946 he began writing his major science fiction novels including "The Kraken Wakes", "The Chrysalids" and "The Midwich Cuckoos".